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Synchronicity and the Scarlet Saint
by Dan Green
Mary Magdalene - The Scarlet Saint
With Superman in his DC comic appearances from 1938 onwards, it was Lois Lane, Lana Lang, Lori Lemuria and Lex Luthor ... the reoccurrence of meaningful figures in his life all having the same initials, an early public appearance of what we now prefer to call 'synchronicity.' It was the Swiss psychotherapist Carl Gustav Jung, along with Sigmund Freud, co-founder of 20th century psychiatry who through his own repeated contacts with strange manifestations emanating from his own psyche coined the term in the 1920's, convinced that there exist a linking process distinct from the relation between cause and effect but complimentary to it, a non causal force within the Universe manifesting in a collaboration between human psyche and the external world.
Carl Gustav Jung
Carl Gustav Jung - Father of Synchronicity
The Collective Unconscious, described as a reservoir of the experiences of our species alternatively known as the Collective Subconscious, is the term belonging to the realms of analytical psychology, coined by Jung. Whereas Sigmund Freud the Austrian psychiatrist and founder of the psychoanalytical school of psychology and inspiration behind the theory of the Unconscious Mind, his mentor, did not distinguish between individual psychology and collective, Jung made a distinction between this Collective Unconscious and the personal particular to each individual human. Whilst Freud made one and all aware of the goings on activated and abound within their own hidden and individual selves, Jung disseminated the notion that almost everyone the world over drew from a common denominator, a matrix pool of ideas, images and meanings, and that these ideas that have the same basic meaning are scattered across all continents and throughout history dating back to the earliest dawning of civilization. These basic forms he called 'archetypes' – all the old gods and goddesses are in there - which are found in the form of visual symbols and graphics, a part of our psychological make up and built in us, so that we are generally unaware of them and may never experience them – but they are inherently there, awaiting a trigger. Aren't we born with a basic understanding within us of what is conceptually 'right' and what is 'wrong' – even if we choose to go against it. Who put it there? Baby chicks have an awareness of shapes and shadows of predatory birds – who put that there? Jung's explanation of a Collective Unconscious explains how this can be.
Jung - The Collective Unconscious -
We are 90% Unconscious
After a professional falling out with Freud over differing concepts of the Unconscious, Jung crossed over into a territory we would normally associate as accessible only through mental breakdown that invited him into a world of strange experiences, dreams and visions, mindscaping adventures associated with degree of controlled drug inducement or shamans. (My own ironic discovery demonstrates how synchronicity can link us – Sigmund Freud was affectionately known to Jung as 'Siggy' and if you take the initial letter of each of Carl Gustav Jung's name, and allow for the fact that it is pronounced 'Yung', you arrive at C-G-Y, to be pronounced as 'Siggy'!) During this period his home assumed an aura of haunting, his daughters claiming to have seen ghosts and Jung claiming to have witnessed a crowd of spirits bursting into the house. Following all this high strangeness, he went into a 72 hour state of automatic writing which produced his 1916 work 'The Seven Sermons to the Dead', not widely available until 1961, describing visitations from spirits claiming they were from Jerusalem, full of strange language and imagery, and whom Jung announced as the voices of the 'Unanswered, the Unresolved and Unredeemed', souls, like our troubled generation of today, who were looking for answers they were unable to find in their lifetime, the content of the conversations becoming the prelude to what he would announce to the world about the Unconscious and its workings, focusing on a marriage between the conscious and unconscious elements of our psyche, for religious teachings has failed us in preserving key knowledge that is exemplified and given expression in spirit through nature and instinct.
Jung went on to study obscure alchemical texts understanding them to be expressions of the unconscious and believing that these experiences are universal appearing at any age in an archetypical form. Further revelations and elucidation from this period surfaced only in 2009 with 'The Red Book', eventually published by Jung's grandson. Clearly, he was in that twilight zone that most people like to dismiss and discredit claiming that it is an undesirable state of consciousness and best perceived as a treatable illness – dismissing in one foul swoop the whole concept and reality of the mystic, relegating us again to a dull and often meaningless random earth existence with little or no point. Jung's deliverance of us to the phenomenon of synchronicity is best understood when we understand that synchronistic events – when two or more apparently unrelated events occur together by what we understand as chance but that clearly announced in a meaningful manner as opposed to a meaningless 'coincidence' – emanate from an underlying pattern and larger framework encompassing any of the systems displaying the synchronisation. Known directly to Mind, these archetypes arise spontaneously especially at times of crisis. Poltergeist manifests when teenage girls experience puberty, a type of crisis for the child, strange brain activity responsible for objects being thrown about amidst kinetic activities and turbulence whilst chemical changes are occurring. Crisis becomes a gateway for the Collective unconscious to let pour out revealing archetypes informing deep hidden truths stowed away from the ordinary consciousness we use to go to work, catch buses and buy milk from the corner shop.
The Red Book
Jung - The Red Book -
Red - the Colour Associated with Mary Magdalene
On a good day I can have about five synchronicities before breakfast! They all started pouring in for me after a close encounter with a 'UFO' nearby Rennes-le-Chateau, France, in 1986, synchronised events having led to the encounter initially. There are no end of amazing stories concerning synchronicities all over the Net and I'll leave readers to Google for them, concentrating on only a few of my own. Numerically it usually involves the number 23, which is strongly associated with the Dog Star Sirius Mystery (I was born on a 23rd) 22 and the sequence 681, the latter associated with the Rennes-le-Chateau mystery. One day in 1989, I had turned up early for an appointment at a building that was consequently still shut. As I waited, I looked over at the huge wire fenced off car park belonging to the factory complex adjacent and mused to myself I wonder if there are parked cars with the licence plate 681. After a thorough visual search I found there wasn't. However, there was one available car space in the lot and just as I concluded my investigation along came a car to occupy the gap – its plate was 681! During my Lincoln Cathedral Code investigations in 2006 in which the dog star Sirius was constantly putting in synchronised appearances, I decided to attend the Cathedral on the early morning of 23rd July the day known as Sirius Rising and start of the 'Dog Days' when the star rises in conjunction with the earth, in case of any undiscovered geometrical optical phenomenon such as the first sun's rays striking strategic masonry. This was to occur at 5.04am, and so I set off walking the short distance from my home, some fifteen minutes away. I came across no traffic or pedestrians along the walk, arriving to station myself at the East Sun Dial at the Judgement Porch of the Cathedral, which I had discovered conceals a 681 sequence within its dial markings. After nothing noticeable, I decided to leave at about 5.15am and as I turned the corner my attention was drawn to a solitary car slowly passing by – its licence plate contained a 681! The remaining journey, as before, encountered no further vehicles or human presence.
Lincoln Cathedral's Sundial
Lincoln Cathedral's Cryptic Sundial -
The 6,8 and 1 being equal distance between the numerals
Two years ago I had just returned home form the local library having collected an ordered copy of Robert Temple's 'The Sirius Mystery' which I hadn't read for years, needing to check some findings. It had been snowing that week and as I approached my front door, there on the bush nearest, was the outline of a dog on the last few bits of melting snow, no other remnants left! Last year I was leaving the Bishops Palace opposite Lincoln Cathedral through an archway when awaiting me as I walked through was two parked cars almost bumper to bumper. The first contained on its plate '681' and the one in front 'DOG'! I had two witnesses with me on that occasion, one stopping me from taking photos by reminding me the illegality of snapping car licence plates.
In July of 2010 by way of a third party, I was forwarded an email which contained a cryptic message reading, 'Red Mary, Lincoln 22 07 10'. It had been sent by a man called Ross Kelly who in 1996 was bit by bit presented a Code through synchronicities, 'God's way of communicating with us' as he puts it, and it as at this point both his and mine were making a contact, the Red Mary referring to a painting within Lincoln Cathedral that I had discovered was of Mary Magdalene and not, as generally held, of the Virgin Mary. The date, referring to 22nd July is the Feast day of the Magdalene. It transpired that events in Kelly's Code which he calls the Pi Code, or Ana Code, had turned their attention to the figure of the Magdalene and the number 22'. On 22nd shortly around midday I had an experience with a car halting alongside me its plate reading RK 681 - RK being Kelly's initials!
The 'Snow Dog'
Kelly's amazing and ongoing adventure in recalled in his online book 'Little Book Big Secret' (littlebookbigsecret-part1.blogspot(dot)com) and his video 'Five days in Varkala', found on blip.tv. One amazing synchronicity was in 2009 when Kelly was linked with a Turkish lady whose initials are I.S.H. Turkish Flight 1951 crashed and showed 'RK' – his initials – with 'ISH'. His experiences read like something from a science fiction movie which naturally attracts him critics, but then this is how it always is for those brave souls, like Jung, who find themselves embarking on a solitary voyage of alternative reality. Kelly says 'This is not about Ross Kelly. It wouldn't matter who I was because we are all the same thing, it's what I have been given to show you that matter'. Kelly's account, a trail of modern day espionage involving British intelligence, M16 and the Vatican, gives an explanation for the 1917 miracle of Fatima, the Rennes mystery, how Rudolph Hess brought the Code to Britain in 1941, and implicates the death of Mother Teresa, Princess Diana, Jill Dando and UN weapons inspector David Kelly, a series of current timed coded links providing evidence that the whole of Time has been designed by divine intelligence around the mathematical constant Pi. By pointing out a collection of past and current global synchroncities, Kelly passes on a stark warning that 'The Omega signal', two relatively small but very destructive asteroid strikes, one in Oban in Scotland and the other in Bowen in Australia, may occur as a final warning to mankind in the event that the people in 'high places' who know about the reality of the direct warning that took place in 1996 that was connected to the hidden 1917 Fatima events and the synchronized code warnings that followed it, fail to generate a world saving change of heart. For a deeper study of his work go to; synchronicitywins.blogspot(dot)com.
The Turkish 1951 Air Crash
The Turkish 1951 Crash -
splits the lettering into 'RKISH'
by Dan Green
©Dan Green 2012
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